Peace, Love and HDR

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Final HDR Image
Here's one of my favorite HDR images, as well as one of my more peaceful images.

Title: Beautiful Buddha Reflection (We shoot here on my Croton Creative Workshop)

Location, Kent, New York

Exposures: 0, -2, -3, +2 EV

Tips:

The name of the game is to fill the frame. Notice how every inch of this frame is filled with an interesting subject.

I used my Canon 15mm full-frame fish-eye lens on my Canon 5D for this image. Without HDR, the reflection would have been very dark.

When using a fish-eye lens, make sure your camera is level. A slight tilt to the left or right can mess up your image.

Also: Shoot RAW, but to save HDR processing time, convert your HDR images to JPEGs. One technique is to use Image Processor in Photoshop.

HDR sequence.
You'll find more HDR info in my iHDR iPad app and iHDR for your Mac.

Click here to see the plug-ins I use for HDR.

Explore the light,
Rick



HDR and Motocross Fun in Florida

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Here's a post from awhile ago. I'm reposting because I am doing an Action Photography Workshop (motocross, horses and dancers) in the Tampa area Feb 15 -17 next year. Shoot me an email to get on the info list.

• • • • • 

I had a ton of fun yesterday here in Florida - the day after recording my new class for Kelby Training - Light, the main element in every photograph

The class is a follow up to my class, Composition, the strongest way of seeing.

In the AM, my friend Randy Van Duinen took me to the nearby Air Stream Ranch for some HDR photography. The shot above is an untouched HDR image produced by the in-camera HDR system in the Canon 5D Mark III. Kinda amazing when you think about it.


Above: Randy's HDR pano. Quite cool!

Read about the HDR plug-ins that I use on my Creative Plug-ins page.

Here's a movie with some quick HDR tips.


In the PM, my friend Kathy Porupski set up a motocross shoot for me at Dade City Motocross. Kathy, a few of her Strobist pals and I had a blast shooting for about two hours.

Kathy and I are doing an Action photography workshop in February. Shoot me an email if you are interested. 

I took all the shots with my Canon 5D Mark III. The new AF system is amazing. I used my Canon 24-105mm, Canon 17-40mm lens and Canon 70-200mm f/4 lens. All my gear is listed on my Gear Page.


The shot above is actually a pano, stitched together with Photomerge in Photoshop CS6. I was not sure if the technique would work, but I gave it a try. Try it, you'll like it. I got the idea from my friend Ted Maddux, who successfully used this technique when photographing bald eagles in Alaska.


And here's what the pano looks like with a bit of Photoshop work. I cut and pasted sections of other files into the pano.


Above: a screen grab of my original files for the pano.


Here's a tip: Get up close and personal with your subject . . . but not too close.


Above: My friend Jim Sykes took this shot of me getting down and dirty (very) to get the shot above this one.


Another tip: crop creatively.


Another tip: Subject, background, lighting and position are the keys to a good photograph.


Another tip (for riders): Be careful. PLease!


Above:  Another behind-the-scenes shot by my friend Jim Sykes. Thanks Jim for the fun shots.

As alway, you'll find photo how-to info in my apps.

Explore the light,
Rick

P.S. We ended the day with chocolate martinis at City Fish, my favorite restaurant in Oldsmar, FL.

Today's Guest Blogger: Kevin Pepper

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Aperture F4.0, shutter speed 1/250 sec, ISO 200
First, I want to thank Rick for having me back as a guest blogger. Rick and I have become good friends since we connected several months ago. We had a blast up here in Canada on our Canada workshop two weeks ago. We'd doing a similar workshop in early 2013. Shoot Rick an email if you want to join the photo and HDR fun.

Okay. Today's post.


So I secured a very cool corporate shoot. It wasn’t just any corporate shoot; it was to retake all the photos for African Lion Safari. Turn down your sound down a bit before you click on the link

The way they exhibit animals is completely different from the traditional approach; that is, the visitor is caged in the car, and the animals roam in 2 to 20 hectare (5 to 50 acre) reserves. They first opened the gates to the public in 1969 with 40 lions in 3 reserves; today the park houses in excess of 1,000 animals comprised of over 100 species including Asian Elephants, Lions, Cheetah, White Rhino, Rothschild Giraffe and numerous other animals from Africa, Asia and North America.

What equipment should you use for a shoot like this?

1) Lenses - In my experience, a long zoom lens is required to take good photographs at the zoo. By a long zoom lens, I am referring to one in the range of 100mm, to 400mm in focal length. In a lot of cases, you’ll find yourself shooting within the 200 – 300mm focal length.

2) Use a tripod or monopod? - Whether or not to use a tripod or monopod is often a grey area when it comes to wildlife park photography. Yes, it’s true that animals in darker enclosures may need a slower shutter speed to allow more light into the shot, therefore requiring extra stability. Personally in these cases, I prefer to increase the ISO to a higher number, for example 800 to 1600.

3) Use a lens hood - Lens hoods come in handy for times when you have no choice as to the angle from which to shoot. Often you may need to shoot into the sun. Lens hoods may be useful for stopping sun flares in these situations.

Aperture F10, Shutter Speed 1/80, ISO 160
Zoo photography tips for beginners
  
As for the shooting tips, listed below are some tips for taking good photographs at a zoo or wildlife park.

1) Animals are constantly on the move and aren’t going to sit and pose on cue. I like to keep my camera settings on shutter priority mode with a fast shutter, an appropriate ISO and an aperture around f3.5 to f5.6.  Some photographers will set the aperture at f2.8 to maximize the wide open iris, but for those less experienced shooters, the narrow depth of field with an f2.8 will lend itself to more missed shots than keepers.

2) Get in close, and then crop the images even closer. When you arrive at the zoo or animal park, take time to look through the shop and take notice of the posters and postcards being sold. You’ll soon learn that tightly cropped faces and body parts have more impact than those with ample surroundings. This allows you to capture details otherwise not seen.

3) Focus on the eyes. As with all living subjects, if the eyes aren’t sharp, you lose the connection between the animal and the viewer.

4) Have patience. Give yourself ample time to get the right shot. I can’t count the number of times I’ve walked away from an animal, to find they yawned or did that unique expression.

5) Eliminate backgrounds where possible. Nothing is more distracting in a zoo photo than a fence in the background, or a feeding bucket. I often do this by repositioning myself so the distracting object isn’t in view, or using aperture mode (set to a small F number) to nicely smooth the background.

6) When you get your photos home and you are editing, don’t be confined to the traditional sized image, try something new and crop your photos in a way that gives the subject more impact.

I hope I gave you some things to think about… and if you want to come with Rick and I to photograph these animals in their natural habitat, we are headed to Tanzania in April of 2013. Check out the details of this awesome trip here.

Cowboy Portraits at the Black Hills Photo Shootout

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This morning at the Black Hills Photo Shootout: Cowboy - and cowgirl - portraits.

Les Voorhis took the group to a cool ranch where we encouraged the workshop participants to see the light and to compose carefully. After all, combine a good subject with good composition and a good exposure, and you have the making of good image.

And talk about great subjects, we had the best!

The opening picture for this post is a hand-held Canon 5D Mark III in-camera HDR image. I boosted the ISO to 4000 and still got a clean shot in the dimly-lit barn. That says a lot about the image sensor in the camera.

If you are new to HDR, check out my article, HDR Must Know Info.


We arrived on site early to catch the light, and Les knew exactly where to position the subjects so we had great light. For the shot above, I underexposed the scene a bit for more saturation in the sky. I shot at f/22 to create the starburst effect. Directing the cowboy to interact with the horse helped make the photograph . . . and as those who attend my workshops know, there is a big difference between taking a photo and making a photograph.


In my keynote talk last night, I talked about the importance of seeing the light. The beautiful side-lighting here created a flattering effect on our cowgirl model. I toned my color file with the Paper Toner filter in Nik Color Efex Pro. See all the plug-ins I use, and get a discount, on my Plug-ins page.

Les and I will be doing a workshop here in 2013. Shoot me an email to get on the info list. We hope to see you in the Black Hills, pardner.

Explore the light,
Rick

Junkyard Shots From My Canada Workshop

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Today was day two of my photo event up here in Canada with The Photographer's Lounge, which is headed up by my friend Kevin Pepper. What fun.

We took our workshop students to a junkyard for an HDR and model shoot. Afterward, we had a quick download and review session. We were assisted throughout the day by our mutual friend Tom Baker, known for his wonderful HDR work.

We focused on making pictures, rather the just on taking pictures.

Here are a few my favorite shots, all of which were processed with a touch of Nik's Snapseed.

We'll be using Snapseed, and other Nik plug-ins, on the images we take on my Coney Island Photo Walk next month.


Morgan Oldershaw was our model for the shoot. Thanks, Morgan, for being such a good model - and sport.


Above is an in-camera HDR image I captured with my Canon 5D Mark III.


Above is another Canon 5D Mark III in-camera HDR image. Both images were hand-held.

For more in HDR, check out my app, Rick Sammon's iHDR.


At the beginning of the workshop I suggested to the workshop participants that they try to "tell the whole story" of the junkyard. Taking close-ups and focusing on details and patterns helps achieve that goal. This photograph illustrates a composition technique: rule of odds. I talk about that and other rules in my latest Kelby Training class: Composition, the strongest way of seeing.


Kevin and I hope to see you on one of our workshop. Good photo ops, good people, good image process . . . and good fun!

All my events are listed on my facebook events page.

If you were on the workshop, please share your photographs on my workshop photos page. In fact, if you have been on any of my workshop, please share your photographs on that page.

Explore the light,
Rick

P.S. My next Junkyard shoot is in Atlanta with my friend Glenn Taylor.

Most Popular Posts

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Hey Gang -

I am taking a few days off from posting. Until I return, here are the most poplar posts for the past two weeks. Enjoy.



Heavy Metal in Hot'Lanta Workshop

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All photographs © Glenn Taylor

My friend Glenn Taylor and I are running an HDR/Model photography workshop in and around Atlanta, GA March 1st to 3rd, 2013. Here's the basic info on the workshop. We are only taking a small group, so space is limited.

For now, Glenn, who as been to all the sites on the workshop, is today's guest blogger. Take it away Glenn.

In my work as a Creative Director for a business-to-business ad agency, I’m often contracted to shoot industrial-style photography of our client’s equipment, employees and locations all over the country. It’s not for everyone, but I love bringing these working environments to life.
In my off-time I shoot with several groups and friends in Atlanta and the surrounding area. Two of my favorite locations to shoot HDR and detail images are The Southeast Railway Museum in Duluth, GA and Old Car City in White, GA. Both locations are a treasure trove of heavy metal grunge images. The colors, textures and little details are just amazing!

Opening image: Sightseeing/cocktail car at the SE Railway Museum. I can always picture a scene from Mad Men taking place right in this car. This is a 5 exposure HDR, merged in Photamatix Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This is shot wide (around 34mm) while mounted on a Gitzo tripod with a RRS bullhead.


Rusted boxcar detail at the SE Railway Museum. I am drawn to detail and old paint textures. Here the multiple sixes and the row of rusty rivets built an interesting composition. This is a single exposure processed in Lightroom, taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This was shot medium length (70mm) handheld in the outside yard area with natural light.

Kitchen car at the SE Railway Museum. The patina of the metal surfaces adds interest to all the geometric shapes in the composition. This is a 5 exposure HDR, merged in Photamatix Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This is shot wide (24mm) while mounted on a Gitzo tripod with a RRS ballhead.

Old Car City is a similar location with a completely different set of subjects: classic cars that are weathered, rusty and full of character. Just like the trains at SE Railway, HDR and details are everywhere you look.

The “office” at Old Car City. The texture around this part of the facility just jumps out at you. This is a 3 exposure HDR, merged in NIK HDR Efex Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This is shot wide (34mm) while mounted on a Gitzo tripod with a RRS bullhead.





Hood ornament detail at Old Car City. I shot this with backlighting from the morning sun that would emphasize the selective focus feature of the lens. This is a single exposure, processed in Lightroom, taken with a Canon 5D Mk II and Canon 90mm Tilt/Shift lens on a Gitzo tripod with a RRS bullhead.

Ladies in waiting at Old Car City. I liked the way this group looked like a beaten down car lot. This is a 3 exposure HDR, merged in Photomatix Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 35mm lens. This is shot wide while mounted on a Gitzo tripod with a RRS bullhead.




Ford emblem fender detail at Old Car City. I captured this handheld at f2.8 to bring focus on just the emblem detail and let the rest of the fender fade into the background.

This is a single exposure, processed in Lightroom, taken with a Canon 5D Mk II and Canon 35mm lens.



Thanks Glenn for a great post.



Follow Glenn:

Glenn and I hope to see you on our workshop! Shoot me an email for info.

Check out my iHDR app to learn more about HDR.

Explore the light,
Rick