Peace, Love and HDR

3 Comments
Final HDR Image
Here's one of my favorite HDR images, as well as one of my more peaceful images.

Title: Beautiful Buddha Reflection (We shoot here on my Croton Creative Workshop)

Location, Kent, New York

Exposures: 0, -2, -3, +2 EV

Tips:

The name of the game is to fill the frame. Notice how every inch of this frame is filled with an interesting subject.

I used my Canon 15mm full-frame fish-eye lens on my Canon 5D for this image. Without HDR, the reflection would have been very dark.

When using a fish-eye lens, make sure your camera is level. A slight tilt to the left or right can mess up your image.

Also: Shoot RAW, but to save HDR processing time, convert your HDR images to JPEGs. One technique is to use Image Processor in Photoshop.

HDR sequence.
You'll find more HDR info in my iHDR iPad app and iHDR for your Mac.

Click here to see the plug-ins I use for HDR.

Explore the light,
Rick



Good Light + Good Composition + Good Subject = A Nice Photograph

Comment

Here's my favorite image (so far) from the California Photo Festival.

Tonight I took a group of dedicated photographers on a street walk. The focus of the walk was composition and lighting. We found both, plus a great subject – my good friend and wonderful photographer Lee Varis.

I took this shot with my Canon 5D Mark III, Canon 24-105mm lens (my favorite street lens) and my brand new Really Right Stuff tripod and ball head. ISO was 6400, which say a lot about the image sensor in the camera.

To learn about lighting, see my lighting class on Kelby Training.

To learn about composition, see my composition class on Kelby Training.

Explore the light,
Rick





Today's Guest Blogger: Kevin Pepper

2 Comments
Aperture F4.0, shutter speed 1/250 sec, ISO 200
First, I want to thank Rick for having me back as a guest blogger. Rick and I have become good friends since we connected several months ago. We had a blast up here in Canada on our Canada workshop two weeks ago. We'd doing a similar workshop in early 2013. Shoot Rick an email if you want to join the photo and HDR fun.

Okay. Today's post.


So I secured a very cool corporate shoot. It wasn’t just any corporate shoot; it was to retake all the photos for African Lion Safari. Turn down your sound down a bit before you click on the link

The way they exhibit animals is completely different from the traditional approach; that is, the visitor is caged in the car, and the animals roam in 2 to 20 hectare (5 to 50 acre) reserves. They first opened the gates to the public in 1969 with 40 lions in 3 reserves; today the park houses in excess of 1,000 animals comprised of over 100 species including Asian Elephants, Lions, Cheetah, White Rhino, Rothschild Giraffe and numerous other animals from Africa, Asia and North America.

What equipment should you use for a shoot like this?

1) Lenses - In my experience, a long zoom lens is required to take good photographs at the zoo. By a long zoom lens, I am referring to one in the range of 100mm, to 400mm in focal length. In a lot of cases, you’ll find yourself shooting within the 200 – 300mm focal length.

2) Use a tripod or monopod? - Whether or not to use a tripod or monopod is often a grey area when it comes to wildlife park photography. Yes, it’s true that animals in darker enclosures may need a slower shutter speed to allow more light into the shot, therefore requiring extra stability. Personally in these cases, I prefer to increase the ISO to a higher number, for example 800 to 1600.

3) Use a lens hood - Lens hoods come in handy for times when you have no choice as to the angle from which to shoot. Often you may need to shoot into the sun. Lens hoods may be useful for stopping sun flares in these situations.

Aperture F10, Shutter Speed 1/80, ISO 160
Zoo photography tips for beginners
  
As for the shooting tips, listed below are some tips for taking good photographs at a zoo or wildlife park.

1) Animals are constantly on the move and aren’t going to sit and pose on cue. I like to keep my camera settings on shutter priority mode with a fast shutter, an appropriate ISO and an aperture around f3.5 to f5.6.  Some photographers will set the aperture at f2.8 to maximize the wide open iris, but for those less experienced shooters, the narrow depth of field with an f2.8 will lend itself to more missed shots than keepers.

2) Get in close, and then crop the images even closer. When you arrive at the zoo or animal park, take time to look through the shop and take notice of the posters and postcards being sold. You’ll soon learn that tightly cropped faces and body parts have more impact than those with ample surroundings. This allows you to capture details otherwise not seen.

3) Focus on the eyes. As with all living subjects, if the eyes aren’t sharp, you lose the connection between the animal and the viewer.

4) Have patience. Give yourself ample time to get the right shot. I can’t count the number of times I’ve walked away from an animal, to find they yawned or did that unique expression.

5) Eliminate backgrounds where possible. Nothing is more distracting in a zoo photo than a fence in the background, or a feeding bucket. I often do this by repositioning myself so the distracting object isn’t in view, or using aperture mode (set to a small F number) to nicely smooth the background.

6) When you get your photos home and you are editing, don’t be confined to the traditional sized image, try something new and crop your photos in a way that gives the subject more impact.

I hope I gave you some things to think about… and if you want to come with Rick and I to photograph these animals in their natural habitat, we are headed to Tanzania in April of 2013. Check out the details of this awesome trip here.

Venezuela Photo Shoot, Photo Walk & Photo Talk

2 Comments

Those of you who know me know that I like to keep busy. So, rather than just going down to Venezuela for a workshop this November, I've added a photo walk and a photo talk.

Here's the schedule and contact info:

Friday, November 9th
My photo seminar - Explore the light
Sponsored by Roberto Mata Taller de Fotografia

Photograph © Roberta Mata
Saturday November 10th
Photo Walks - AM and PM
We'll explore the coolest photo ops in Caracas.
Sponsored by Carolina Mendez - who has organized several photo walks in Caracas.

Sunday November 11 to 14
Photo workshop with Kevin Pepper, Alan Highton and yours truly.

Contact info:
• Seminar and photo walk: Carolina Mendez.
• Photo workshop: Kevin Pepper.
• Any other questions: me!

Here's a thought: The closer you get to the equator, not only does the weather get warmer, but the people get warmer as well.

Explore the light,
Rick

P.S. If you can't go south, head up north. Join my seminar and HDR shoot in Ontario, Canada. And yes, the folks are "warm" up there, too.





Composition: The Strongest Way of Seeing, or Crop My Pictures and You Are a Dead Man!

2 Comments

Edward Weston said: Composition is the strongest way of seeing.

I love that quote . . . and it's the title of my latest Kelby Training Class.

The photographs here, taken in Iceland two weeks ago, illustrate some important composition techniques.

Above: use a foreground element to place the viewer in the scene.


Above: The name of the game is to fill the frame.


Above: Crop my pictures and you are a dead man! Actually, that's my own quote . . . one that I used to use (lovingly) with my book publishers.

I am a nut about cropping. I shot this picture knowing that I'd crop off the boring top and bottom in Photoshop.

Be a nut about cropping, and you will get pictures with impact.

Again, for more info in composition, check out my Composition class. My Composition class goes hand-in-hand with my class on lighting: Light - the main element in every photograph.

To learn more about composition, join one of my workshops. We work hard, but we also have a ton of fun.

Explore the light,
Rick

P.S. All images: Canon 5D Mark III, in-camera HDR and Canon 17-40mm lens. All my gear is listed on my Gear page.


Venezuela Workshop: Andes Mountains and the Floating City of Ologa

Comment

Having "been there, done that, got the t-shirt," I thought I do an entirely different digital photography workshop.


Along with my friend Kevin Pepper, who is organizing my September Canada event, I am doing an awesome workshop in Venezuela November 10 - 15, 2012: Andes Mountains and the Floating City of Ologa.


On this workshop we'll teach: landscape photography, lightning photography, people and cultural photography, waterfall photography and wildlife and nature photography. We'll also teach Lightroom and Photoshop.


These photographs taken by our on-site expert, Alan Highton. I can't wait to meet him, shoot with him and explore the wonders of this exotic location.


We'll be taking a small group. Shoot me an email if you are interested in this once-in-a-lifetime experience.


You can sign up through Kevin's web site.

If you come, you'll need a lightning trigger:
Top of the line unit
or
Very practical unit.

Explore the light,
Rick

P.S. For travel photography tips, check out my app, Rick Sammon's 24/7 Photo Buffet.







Heavy Metal in Hot'Lanta Workshop

Comment

All photographs © Glenn Taylor

My friend Glenn Taylor and I are running an HDR/Model photography workshop in and around Atlanta, GA March 1st to 3rd, 2013. Here's the basic info on the workshop. We are only taking a small group, so space is limited.

For now, Glenn, who as been to all the sites on the workshop, is today's guest blogger. Take it away Glenn.

In my work as a Creative Director for a business-to-business ad agency, I’m often contracted to shoot industrial-style photography of our client’s equipment, employees and locations all over the country. It’s not for everyone, but I love bringing these working environments to life.
In my off-time I shoot with several groups and friends in Atlanta and the surrounding area. Two of my favorite locations to shoot HDR and detail images are The Southeast Railway Museum in Duluth, GA and Old Car City in White, GA. Both locations are a treasure trove of heavy metal grunge images. The colors, textures and little details are just amazing!

Opening image: Sightseeing/cocktail car at the SE Railway Museum. I can always picture a scene from Mad Men taking place right in this car. This is a 5 exposure HDR, merged in Photamatix Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This is shot wide (around 34mm) while mounted on a Gitzo tripod with a RRS bullhead.


Rusted boxcar detail at the SE Railway Museum. I am drawn to detail and old paint textures. Here the multiple sixes and the row of rusty rivets built an interesting composition. This is a single exposure processed in Lightroom, taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This was shot medium length (70mm) handheld in the outside yard area with natural light.

Kitchen car at the SE Railway Museum. The patina of the metal surfaces adds interest to all the geometric shapes in the composition. This is a 5 exposure HDR, merged in Photamatix Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This is shot wide (24mm) while mounted on a Gitzo tripod with a RRS ballhead.

Old Car City is a similar location with a completely different set of subjects: classic cars that are weathered, rusty and full of character. Just like the trains at SE Railway, HDR and details are everywhere you look.

The “office” at Old Car City. The texture around this part of the facility just jumps out at you. This is a 3 exposure HDR, merged in NIK HDR Efex Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 24-70mm L series lens. This is shot wide (34mm) while mounted on a Gitzo tripod with a RRS bullhead.





Hood ornament detail at Old Car City. I shot this with backlighting from the morning sun that would emphasize the selective focus feature of the lens. This is a single exposure, processed in Lightroom, taken with a Canon 5D Mk II and Canon 90mm Tilt/Shift lens on a Gitzo tripod with a RRS bullhead.

Ladies in waiting at Old Car City. I liked the way this group looked like a beaten down car lot. This is a 3 exposure HDR, merged in Photomatix Pro and finished in Lightroom - taken with a Canon 5D Mk II and Canon 35mm lens. This is shot wide while mounted on a Gitzo tripod with a RRS bullhead.




Ford emblem fender detail at Old Car City. I captured this handheld at f2.8 to bring focus on just the emblem detail and let the rest of the fender fade into the background.

This is a single exposure, processed in Lightroom, taken with a Canon 5D Mk II and Canon 35mm lens.



Thanks Glenn for a great post.



Follow Glenn:

Glenn and I hope to see you on our workshop! Shoot me an email for info.

Check out my iHDR app to learn more about HDR.

Explore the light,
Rick