photo tours

7 Tips for Photographing Running Horses - which you can use on my Provence Photo Workshop

As a prelude to my June 2015 Provence workshop (my second trip to Provence), I thought I'd share some tips for photographing running horses. 

But first: Planning on a Provence workshop - any workshop? My advice: Only go with a pro who has been there. Also, compare costs. As you will find, my workshop is the best-priced workshop around.

OK! Here are my tips!

1 - When photographing groups of horses, try to get as much separation as possible between the horses.

2 - Set you camera to the fastest frame rate to capture the action. A split second can make the difference between a good shot and a great shot.

3 - If a horse is running across the frame, leave some room in front of the horse into which the horse can run. If you frame too tight, the horse will "get stuck" in the frame.

4 - Use the focus-tracking AF system in your camera - AI servo in Canon cameras. Make sure the focus point stays on your subject.

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5 - When framing your picture, leave some extra space around the subject so you don't cut off part of the tail, ear or hoof.

6 - Try panning, as illustrated above. You need to get lucky or take lots of shots to get a good pan. Try different shutter speeds, from 1/60th to 1/ 15th of a sec.

7 - Note the position of the horse's legs in your photograph. You want the legs in a position that says "action."

My lens recos for photographing running horses on my Provence workshop:
Canon 24-105mm IS lens
Canon  70-200 f/4 IS lens
Canon 100-400mm f/4.5-5.6 IS lens

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Landscape photography is also a part of my Provence workshop. My favorite lens for landscape photography is the Canon 17-40mm lens.

I hope to see you on my Provence workshop.

 

My co-workshop leader, Patrice Aguilar (above right), and I will help you make great pictures - in the field and in the digital darkroom. We'll also take you to the best paella dinner you have ever had!

Finally, on the workshop you will hear me say, probably more than once: If you are not having fun, you are doing something wrong. We make it fun!

Explore the light,
Rick

P.S. Yes, we'll do street shooting, too!

Seven Reasons to Attend My South Beach Speed Learning Photo Workshop

Each year, for the past four years, I've run photo workshops in Miami's famed South Beach in January. This year I am doing something a bit different: I am offering a small group speed learning class from January 15  to 17.

If you have never been to South Beach, and want to learn a ton – and have a ton of fun – in a short time, here are seven reasons to join the workshop. Another idea: give the workshop, or any of my workshops, as a gift.

1) Above: You will shoot at night and learn about long exposures - and how to get the very best in-camera exposure.

2) Above: You will learn about seeing the light, composition and creative visualization, the key to getting a good photograph.

3) Above and Below: I will show you how to enhanced your images in Photoshop and in Lightroom.

3a) Did I mention that l like to make learning fun? :-)

4) Above: You'll learn about HDR. I recommend downloading Photomatix for your HDR image processing. Learn about HDR in advance with my iHDR app.

I will also teach creative plug-ins, which you can download here.

5) Above: We'll shoot at sunrise, and work on our images during our download session.

6) Above: We'll photograph sun worshipers, and learn how to work with people, reflectors and diffusers. You will also master daylight fill-in flash - I promise you. So bring your speedlite.

7) Above and Below: At the end of the workshop you'll reflect on how much you learned and how much fun you had.

If you can't make South Beach, my other workshops are listed here.

If you like to learn at home, I also offer on-line training,

Explore the light,
Rick

P.S. The image below illustrates a good reason for snowbirds to register for the workshop. :-)


Out of Africa - and into Texas - Photo Workshop

I running two 2015 photo workshops at Fossil Rim Wildlife Center in Glen Rose, Texas – where I took all the photographs in this post.

Dates:
April 29 to May 1
and
May 27 to 29 (This is a Canon Destination Workshop. Shoot me an email for info.)

We booked the entire camp - and we have special photo tours.

Tip: You can stay in the Lodge, but the tents give you a real safari experience. About the tents: they have hot and cold running water, a shower, a hair dryer and AC – same as the lodge.

Small group, big fun! First come, first serve. Register here.

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I've been there five times (once teaching a photo workshop where I took these images) and still enjoy the experience - and that is after going on safari in Kenya four times.

See some of my Africa photo safari images here.

If you are planning a photo safari, check out my KelbyOne Wild Safari class.

All my 2015 workshops are listed here.

Here is a Fossil Rim video of a younger Rick Sammon discussing daylight fill-in flash. And here is a Fossil Rim video on composition.

One more video: A Quick Look at Fossil Rim Wildlife Center.

Now you can see how long I have been going there. :-)

Explore the light,
Rick

P.S. Yes! We will have plenty of time for digital darkroom work, too.

On Safari with the Canon 5D Mark III. Day 5: The Main Event

Today is the last day in my photo safari series here on my blog. Scroll down to see earlier posts.

All the photographs were taken while we were on a photo safari with our good friends Jonathan and Angela Scott – known and respected around the world as "The Big Cat People."

Today is Day 5: The Main Event

The main event during our stay on the Masai Mara was photographing the migration of the zebra and wildebeest. One morning we saw more than 5,000 animals on the move. The animals follow the rain so they always have something to eat.

In this post I'll share some, only some, my favorite migration photographs, along with some photo tips. I'll be sharing all my Masai Mara photographs at my upcoming seminars.

The photographs were taken on three different days at three different locations.

Opening Image: Compose carefully. Notice the nice "S" curve in this photography. Learn more about composition in my KelbyOne class: Composition - the strongest way of seeing. Lens: Canon 24-105mm IS.

Above: Check your aperture to make sure you have the desired depth of field. Lens: Canon 24-105mm IS.

Above: Use foreground elements to add a sense of scale and depth to a photograph. Lens: Canon 70-300mm IS.

Above: Use slow shutter speeds to add a sense of movement to fast-moving subjects. Another tip: Use plug-ins to remove some of the reality from a scene. Lens: Canon 70-300mm IS.

Above: Take close-ups to tell the whole story. The story here: two crocks are eating a wildebeest that did not make it across the water. We talk about storytelling on my workshops. Lens: Canon 200-400mm IS.

Above: Wildlife photography requires patience. One morning we waited more than three hours for the animals to cross the Mara River. Here I am deep in thought - planning the next trip! :-) Lens: Canon 15mm, but I recommend the Canon 8-15mm lens. Oh yeah, they never crossed.

Above: The team that made my photographs possible.

I'm feeling a bit sad as this series comes to a close. I miss the Mara and my friends Jonathan and Angela Scott, as well as our guide Simon Sitienei. I also miss our home away from home for the safari, Governors' Camp.

The good news is that we'll be back!

Shoot me an email if you are interested in a small group or private African photo safari. Jonathan and I are making some cool plans!

Until then, check out the videos we made in the Masai Mara.

Thank you all for following along.

Rick Sammon,
Canon Explorer of Light

On a Photo Safari with the Canon 5D Mark III. Day 2: Meeting The Killing Machine

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I'm running a series of posts here on my blog: On a Photo Safari with the Canon 5D Mark III.

Today is Day 2.

Our guide, Simon, called this leopard "The Killing Machine." Why? Because he was dining on wildebeeast after wildebeeast after wildebeeast at the crossing of the Great Migration (photos to come).

After his kill, the killing machine had his "snack" up in nearby tree. Two kills are shown in the photo on the right – front and back end.

One of my favorite wildlife photography lenses is the Canon 70-300mm IS zoom, which I used to make my portraits of "The Killing Machine."

Quick tip: When shooting, try to shoot eye-to-eye. The opening photographs for this post have impact because I am shooting at eye level, as opposed to shooting above the subject, as illustrated in the photograph above.

Scroll down for more posts in this series.

Thanks to Jonathan and Aggie Scott, The Big Cat People, for making our trip a reality. Follow my friends on Google+.

If you plan on a photo safari, I have a basic class on KelbyOne that offers advice.

Jonathan and I are planning some special trips. Shoot me an email to get on the list.

Jonathan and I made a few videos during our safari. Check 'em out here.

Interested in the gear I used on safari. Here is a QUICK look. :-)

Explore the light,
Rick

P.S. Check out my Gallery/One Week On the Mara photographs over on the left - and start your Squarespace site today. Click the image below to get started.