Quick Digital Imaging Tip 41/101: People in Pictures Help With Stock Photo Sales

This is tip #41 of 101 digital imaging tips that I plan to post here over the next few months. Stay tuned.

Today's tip: People in pictures help with stock photo sales.


The picture immediately above is nice enough, but the picture that opens this post is much more a "lifestyle" image, and "lifestyle" images sell better than beautiful scenic shots.
 
Even when a person is very small, or even tiny in a photo, that person adds a sense of scale to the image. Whenever possible, try to include a person in the scene.

And speaking of stock sales, I know someone who makes $3,000 a month in stock sales on iStock Photo. The key to making money in stock is to have many, many pictures uploaded and available.


If you want some tips on selling sock photos, check out this book: Taking Stock: Make money in microstock creating photos that sell.

Explore the light,
Rick

Appy New Year!

Hey! If you know a photographer who got an iPad or iPhone for Christmas, he or she may be interested in one of my how-to photography apps!

Appy New Year!
Rick

Here is a list of my best-selling apps:

My flagship comprehensive how-to app: Rick Sammon's 24/7 Photo Buffet - iPhone and iPad.

Click here to see a serious review of the app. Click here to see a fun movie about the app.

• • • • •

Light It! and Light It Light!: My basic lighting apps – iPhone and iPad.

Click here to see the into movie to Light It! 

• • • • •

Butterfly Wonders: Beautiful butterflies and section on close-up photography –  iPad only.

• • • • • 

 Life Lessons We Can Learn From Mother Nature: My favorite images with inspirational quotes – iPad only.


Top Birds-In-Flight Tips From a Former Top Gun

Hal "Bull" Schmitt, the Director of Light Photographic Workshops, excellent  photographer, all around fun guy, and former Top Gun (yes, that kind of Top Gun) instructor, put together this awesome post.

All of these amazing photographs were taken by Bull.

Take it away, Bull. . .
• • •
Photographing birds in flight (BIF) is one of the most exhilarating and exciting photographic experiences available.  Unfortunately, it can also be one of the most frustrating. The dynamic environment of photographing BIF with constantly changing distance, angle, light, etc. presents us with a challenging task. With that said, most photographers can enjoy success and the satisfaction of a great shot if they keep in mind a few simple tips.

As a fighter pilot I feel a natural kinship with birds of all species and enjoy capturing the wonder of flight. Here are a few of the techniques, tips, and procedures that help me photograph birds around the world.

1. Set up your camera for action


For me it all starts with camera setup.Regardless of make and model I try and set up the following.

- AI Servo or continuous focus.You will be tracking a moving subject and one shot or single will not give you good results. 

- High speed drive mode. Allow the camera to fire off as many frames per second as is possible. 

- Back button focus. Ensure only back button focus is enabled. This will allow you to easily use your thumb to engage the autofocus (AF) system. 

- Select the center AF point. Although the center of the photograph is normally deadly, the center AF sensor on most cameras is more accurate and more intuitive to use. As you become more experienced you may change this.

- I will also set up my lens making sure to engage either the image stabilzer or vibration reduction. For most bird shots you will want to use mode two. 

- Also on the lens make sure your focus range is set to the expected subject distance possibilities. For example, if you have the option of 1 meter to infinity or 10 meters to infinity set based upon the expected subject distance. This will help keep your lens from "searching" at ranges where the subject will not be.

 2. Learn the basics of flight


As amazing as they are birds are still subject to the four primary forces affecting flight: thrust, drag, lift, and gravity. Spend a small amount of time learning the basics of flight and you will begin to learn and anticipate different flight maneuvers. One of the most important basics to always keep in mind, is birds will almost always take off and land into the wind (just as our airplanes do.) 

3.  Put the sun and the wind at your back

With the sun behind us as the primary light source, any subject in front of our lens will be illuminated and not in shadow. This will provide us simple, natural light and we may not need to use our flash. If the wind is at our back and we know birds will land into the wind, we set ourselves up for photographing the best angle for our subject.  In most cases, we want to be able to see the bird's eye or eyes and do not want the dreaded bird "butt" shot. Pay attention to the wind and position yourself accordingly. 

In an ideal world, we would have both the sun and wind at our back giving the correct angle and good light.  If this is not possible, I normally prioritize the wind at my back and photograph with a flash fill using good flash procedures and either a Project a Flash or a Better Beamer. These devices "extend" the flash and allow for illumination at incredible range.

There are times I will prioritize the sun at my back. I just know that I may not get the desired flight angle or even illumination. If I have thought about this ahead of time I can prepare a specific shot or flash.

4.  Use a good tripod and gimbal head

Adding the element of strong camera stability and support may helpy you track BIF more effectively. A strong, stable tripod combined with a gimbal head will make a difference. A gimbal head allows balanced, all axis tracking while supporting the weight of bigger lenses.  My current favorite is the Really Right Stuff PG-02. Awesome piece of gear. 

5.  Track and shoot


Select your subject at range and attempt to follow as the bird nears. Keeping the autofocus sensor on the "target" (I often use fighter pilot terminology when photographing birds!) engage the autofocus system and track.  As the bird fills approximately 75% of the frame, start shooting. I prefer small controlled bursts of 3-4 shots at a time. 

6.  Practice and have fun


Photographing BIF is not easy and you will need to spend a little time practicing. Practice on any bird you can. If you do not have many birds around find anything in motion. For example, I prefer eagles but there are not many around Los Osos, CA.  Instead, I use gulls as my most common subject.  They are everywhere and provide a perfect opportunity for me to practice the essential skill set. When practicing remember it is not easy.  So keep your spirits up and have fun. You will be creating dramatic birds in flight shots in no time at all.

Here's another quick tip: For access to the world's best eagles, join Rick Sammon and me next spring as we photograph thousands of bald eagles in South East Alaska. For more information check out www.Lightworkshops.com.

•  • •
Thank you Bull for a great post! Alaska will be a blast!

Explore the light,
Rick


Look Into Pictures, Not Just At Them


Those of you who follow this blog know that Dr. Richard Zakia, former RIT professor, is one of my all time favorite photo gurus. We send each other pictures. We talk about looking into  pictures - and not just looking at them. Big difference. 


Think about it . . . and look into your own pictures.


Recently, Dick sent me the opening picture for this blog post and wrote . . .


What intrigues me about this photo is my experience in taking it. I could not tell from the distance whether it was a painted wall intended to fool the eye or not. So I decided to photograph it.
As you look at it in this photograph, can't you tell whether the wall it is painted, or actually plastered to give it an aged look. I find the photograph to be ambiguous. It challenges the viewer not to just look and dismiss it, but to look and study it and try to determine if it is just a painted wall that we have seen variations of or not. It invites one to spend time with the photograph and hopefully other photographs.
What is your take on the photograph? Is the wall painted? Post your answer here.
Dr. Richard Zakia, a.k.a. Dick, is the co-author, along with David Page, of Photographic Composition: A Visual Guide. These two dudes are also two of my favorite people. 

"A photograph is usually looked at – seldom looked into." - Ansel Adams

Explore the light, 
Rick

Is Your Lens Sharp?

In this photograph, the whiskers and hairs on the animal's body are tack sharp.

Several factors contribute to sharp images:

• The sharpness of the lens.
• Accurate focus.
• The aperture at which you shoot. Three stops down from the widest aperture is often the sharpest aperture.
• Contrast, with pictures taken in high-contrast situations looked sharper than pictures taken under soft  light.
• The shutter speed at which you shoot, with faster shutter speeds usually producing sharper hand-held pictures.
• A clean front and rear lens element.
• Lens flare.
• Camera shake, with the mirror lock-up feature helping when a camera is on a tripod.
• Condensation on the front element of your lens.
• The sharpness of the actual subject, with say a baby's skin looked softer than the skin of a sexy senior citizen.

Consider all the aforementioned factors before you shoot.

Here's a cool product that I just discovered that lets you check the sharpness of your lens. It's called the LensAlign PRO Focus Calibration System.


If you are serious about getting sharp shots, check out this sharp accessory.

You really can't turn an out-of-focus shot into a sharp shot. However, InFocus, a plug-in from Topaz Labs, does the best job I've seen.Topaz Details can also help you fine-tune the sharpness of your images.

Explore the light,
Rick

P.S. Speaking of sharpening, it's not a good idea to over-sharpen your images. A way-cool plug-in for sharpening is Nik Software's Sharpener Pro. Use this code to get a discount upon checkout: RSAMMON