Six Days of Speedlite Tips: Day 5


It's Day 5 of my Six Days of Speedlite Shooting tips.

Today's tip: Study the Works of the Master Painters.



Concept: Study the works of master painters. See how they used shadows and highlights to create their masterpieces. That's what I did for my photograph, "The Girl with a Pearl Earring."

To light my subject, I used one light: Canon 580EX II in the Westcott Apollo soft box.

Once again, you don't need a fancy studio to make nice portraits. I took the photograph in my office.

Special savings: Adorama is offering super pricing these creative lighting reflectors. Offer expires 1.31.12.

Gear:

For more detailed lighting tips, see my apps.


For hand-on learning, check out my workshops.

Explore the light,
Rick

P.S. Here is a link to a post on Plug-ins for Portraits. Check it out.

Six Days of Speedlite Tips: Day 4

© Rick Sammon
It's Day 4 of my Six Days of Speedlite Shooting tips.

Today's tip: Create Dramatic and Colorful Silhouettes.


Concept: Set up a speedlite behind the subject and out of the camera's view. Use a grid on the speedlite to concentrate the light, and use a colored gel to change the color of the background. 

I took the images for this post at Photo Plus Expo in the Canon booth. See! You don't need a fancy studio to get cool shots.


Gear
For more detailed lighting tips, see my apps.


For hand-on learning, check out my workshops. We have a blast. Below are two images from my Master Your Flash workshop in Croton on Hudson, NY.



Bonus tip: When you think you need two lights, use one light. Above: one of my workshop participants is holding a reflector to bounce the light from the softbox onto the shadow side of the model's face.

Explore the light,
Rick

P.S. Here is a link to a post on Plug-ins for Portraits. Check it out.

Six Days of Speedlite Tips: Day 3

© Rick Sammon
It's Day 3 of my Six Days of Speedlite Shooting tips.

Today's tip: Light Up the Background.


Concept: Use a second speedlite to add some light to the background. This background light is also called a separation light because it separates the subject from the background. Above: Susan Sammon is holding a flash that is fired through some artificial palm leaves. For the opening shot for this post, the flash was fired through the cardboard cutout on the floor behind Susan.

My cardboard cut-out was also used on the two  images below. Honl gels were used to add the color.

© Rick Sammon
© Rick Sammon
Gear

For more detailed lighting tips, see my apps.


For hand-on learning, check out my workshops.

Explore the light,
Rick

Six Days of Speedlite Tips: Day 2

© Rick Sammon
It's Day 2 of my Six Days of Speedlite Shooting tips.

Today's tip: Create Terrific Top Light.


Concept: Position the light directly above the subject. Use "voice activated" light stands to save on real light stands. Use a softbox to soften and direct the light.

© Rick Sammon
I used this technique when I photographed photographer Catherine Hall at Google.

Gear:

For more detailed lighting tips, see my apps.


For hand-on learning, check out my workshops.

Explore the light,
Rick

Six Days of Speedlite Tips: Day 1

© Rick Sammon

It's Day 1 of my Six Days of Speedlite Shooting tips.

Today's tip: Create Cool Rim Light.

Concept: Position the subject slightly in front of a softbox, as illustrated above. Photograph the subject looking straight ahead (in the opposite direction in which the softbox is facing) so you get a profile. Basically, you want the light coming from slightly in front of and behind the subject.

In the shot above, I am positioning the model. For the end-result shot, I was positioned to the model's left side.

You need to experiment with subject position and flash output to get the shot you want.

BTW: A softbox is a very important accessory. It allows you to control the light to a greater degree than an umbrella or an octodome. More on that in future posts.

Gear:

Canon 5D Mark II

Canon 24-105mm IS Lens

Westcott Apollo Softbox

Canon STE-2

Tether Tools Table

Tether Tools Cable

Note: The Canon ST-E2 is designed for indoor, line of sight use - although it's worked for me even when speedlites are "hidden" in a soft box. Another option for wireless flash photography are 

Pocket Wizards

. You need both a transmitter and receiver.

For more detailed lighting tips,

see my apps

.

For hand-on learning, check out

my workshops

.

Explore the light,

Rick

P.S. Here is a link to a post on 

Plug-ins for Portraits.

 Check it out.