All Together Now! What Is My #1 Flash Tip?

Photos of David Leveen by Rick Sammon.
That's right friends: "Take the darn flash off the camera!"

On the left you see the results of taking a flash out of the hot shoe and placing it in a soft box.

The picture on the right is a behind-the-scenes shot, showing part of the soft box on the left side of the frame.

My #2 Tip: Place the flash in a soft box, that's right to soften the light.

My #3 Tip: Remember: the larger the light source, the softer the light; the closer the light source, the softer the light.

My #4 Tip: Keep in mind that "light illuminates, shadows define."

My #5 Tip: Remember: Shadows can be your friend.

I teach this kinda stuff on my workshops and sometimes at my seminars (depending on the type of seminar). I hope you can join the flash photo fun!

If you like flash photography, check out the poll on the right.. and cast your vote.

Tech info: Canon 5D Mark II, Canon 24-105m IS lens, Westcott Apollo soft box:

Explore the light, 
Rick

P.S. Soft box info:
Westcott 2331 28-Inch Apollo Flash Kit 

Battle of the HDR Photo Tips Round 4: Ratcliff vs. Sammon. Today: Time.

Photograph by Trey Ratcliff
It's Round 4 of the week-long Battle of the HDR Photo Tips: Trey Ratcliff vs. Rick Sammon. Thank you for joining us ringside.

Hey, if you want to have some fun, do a Google search: I hate HDR. Post a comment here on my blog. Let us know what you think.

Trey Ratcliff is some dude on the internet that runs Stuck in Customs. His mom visits his blog every day. If people leave bad comments, then his mom gets 'em.

Rick Sammon was at Woodstock and still tries to maintain the PLJ feeling of the '60s. He also scuba dived in Lake Baikal, Sibera, where he photographed the nerpa.

Here we go:
Ratcliff: Most of the time, when you shoot HDR photos, you’ll be taking multiple exposures. So, you often end up with the old “ghosting” problem in which an object changes its XY across the plane.

I contend that you don’t have to worry about that if you want to give the impression of time flowing. This bleeds into my discussion about impressionist feelings within photos. Yes, photography is about stopping time, normally, but it doesn’t have to be.

If you are taking an HDR of a moving river or flowing steam (like below), then I like to allow the ghosting to remain. It gives a feeling of movement and time, and that’s a nice thing to communicate in a photo.

Photograph by Rick Sammon. We shoot here on my Croton Creative fall workshop.
Sammon: Uh.... I totally agree with my buddy Trey. :-)

In addition: 

• When trying to capture moving water, clouds, mist and fog (and even car lights at night), use long shutter speeds - maybe between 2 and 10 seconds. Experiment with different slow shutter speeds, because the speed of moving water, clouds, etc. is not always the same.

• Of course, you'll need a tripod when shooting at slow shutter speeds.

• Use a cable release or your camera's self-timer, so you don't need to touch the camera when the shutter is released. Mirror lock-up is a feature that can help you get sharp shots for long-exposure photography.

• Want a really cool camera controller for HDR? Check out the Promote Controller:

 

 •  • •

To learn more about Trey's HDR work, click here.


• • •
To learn more about my latest HDR project, Rick Sammon's HDR Portfolio app for the iPad, click here.

Explore the light,
Rick

P.S. I just doubled the HDR fun!


Battle of the HDR Photo Tips Round 3: Ratcliff vs. Sammon. Today: Thinking and Mystery


It's Round 3 of the week-long Battle of the HDR Photo Tips: Trey Ratcliff vs. Rick Sammon. Thank you for joining us ringside.

Trey Ratcliff is some dude on the internet that runs Stuck in Customs. His mom visits his blog every day. If people leave bad comments, then his mom gets 'em.
Rick Sammon was at Woodstock and still tries to maintain the PLJ feeling of the '60s. He also dived in Lake Baikal, Sibera where, under the ice, he photographed the nerpa.

Away we go:

Sammon: Think.

Think like a painter. Try to create an image that looks more like a painting than a still photograph.


Think like an artist. Don't care what others think about your work. 

Think and create for yourself. Remember: You are the audience.

Think about the feeling of an image - and don't get too caught up with tech stuff, as important as it is.

Think about what others may see in your picture - like the heart that you see in my HDR image of the St. John's Pier in St. Augustine, Florida.

Think. :-)
Photograph by Trey Ratcliff
Ratcliff: Today, I will talk a bit about leaving some mystery in your shot.

HDR processing can already give an impressionist-feel to your photo.

Now, this doesn’t work for anyone. You’ll find photographers out there that want absolute detail and precision with zero noise in every pixel of the photo. But I don’t listen to them… It’s more important to me to provide the feeling of something rather than the actual something.

Also, I like to leave things in my photos that are mysterious and “could be” mistakes. Often times, these are interesting enough to make people wonder and become somewhat attached to the photo. You don’t want the bit to be so strange that it is distracting and off-putting… but just a bit mysterious perhaps.

In the photo above, I left in the dirt-zamboni because it was kinda strange and different. Upon closer inspection, you can see that there was recently a bullfight and that thing was smearing the blood across the sand.
• • •


To learn more about Trey's HDR work, click here.

To learn more about my latest HDR project, Rick Sammon's HDR Portfolio app for the iPad, click here.

Explore the light,
Rick

February 2011 Winner of My "You Light It!" Photo Contest Announced: Christopher Martin


Man o man, it was really hard to choose the winner of my You Light It! Photo Club Contest

Interestingly enough, our two favorite photographs were taken by the same person - Christopher Martin.

Yo Chris, you need to contact me to schedule the 1/2 portfolio review via Skype. ricksammon@me.com.

Everyone..... keep shooting! Great work for sure.

Check back here on April 1 or so to see the next winner. It could be you!


For info on my Light It! app, click here.

Best,
Rick


Trust Is Important In People Pictures

My main photography passion is photographing people – mostly strangers in strange lands, such as this young monk-in-training, posing in a light rain, by a dzong in the Royal Kingdom of Bhutan.

Why is this my passion? Because getting accepted into a stranger's life for a few minutes, and gaining their trust, is a totally cool feeling for me. Sure, it's a challenge, but a challenge that has a very nice reward: a photograph.

One way I try to gain acceptance and trust is to do magic tricks for the folks I encounter abroad. Here I am doing a simple coin trick for some Buddhist monks in Nepal. Take a close look at all their faces. I am trying hard to entertain them, which I did! (Eventually, I showed them how to do the trick. We all had fun before the photo session.)

So, traveling around the world and photographing people is a blast. Recently, however, I have been taking pictures of my neighbors - fun for me, important for them.

But here, too, gaining acceptance and trust as someone who is going to picture them is important. Before I start shooting, I joke around and learn more about the subject - what they want out of the photo session. I want the subject to feel important. At ease. Relaxed. This is an important step when it comes to photographing people.

Last night, I photographed my dentist, Dr. Mobilla - whose passion is making wine and sausage (and fishing, but that is another photo session). Before the sausage photo session, I learned a lot about making sausage and wine in one's basement. I did not start shooting immediately.

Last week I photographed my neighbor Peter Calo - whose passion is playing guitar. Before the session, I played a few chords for him. I wanted Peter to like me (in this case as a fellow musician), as I do all my subjects. If they like me, they trust me. Again, when it comes to photographing a person, trust is very important.

Above is a picture I took of a model on the shores of Lake Powell. Before I began shooting, I talked to the model about what it was like being a model, her family, etc. I ask here to choose a pose, rather than saying, "do this, do that."

Model Laurence G. Yang Photographed by Kade Lam
Speaking of models, their feelings and trust, one of my model friends, Laurence G. Yang, trusted photographer Kade Lam to take this beautiful portrait.

About the picture, Laurence says, "Every time I see this picture, "mesmerizing" whispers in my heart. "I'd have to say this it one of my favorites. It well defines elegance and also captivates a strong and sexy moment."

Laurence, by the way, is also the editor-in-chief of Runway Weekly.


Photo Info from Kade:
Two-light setup...300w self-contain units from Elinchrom.
7-foot black panel placed on the model's right side.
Softbox on the right side of the model for high-lighting.
Unit on the model's left side was bounced of a wall.
Camera exposure:125@F8.

• • •

When you are photographing a person, sure, think about technique, but first think about gaining the person's trust and respect.

Explore the light,
Rick

For more tips on photographing people, see my book, Face to Face: