Get it "Right" With Your Histogram



Here's a guest post by my friend, and DPE podcast co-host, Juan Pons

Good advice, Juan. Thank you for sharing. I just love your bison in the mist shot!
 
“Expose to the right” is an expression that you may have heard before, but my experience has been that most folks don’t understand what it means or how how to do it.

In simple terms what this means is that in order for you get the absolute best image quality your digital camera sensor can produce you should be slightly over-exposing your images. I know this does not sound like good advice, but bear with me for a minute, there is a very good technical reason for this.

The imaging sensor in your digital camera is composed of millions of little light sensors (as many as your camera has Mega pixels), and each of these sensors measures the intensity of the light that falls upon it, the camera then takes these millions of measuring points to create an image. However these sensors are not equally as good as measuring light at all levels, actually they are magnitudes more sensitive near the highlights than they are near the dark areas.
 ExposeToTheRight

What this means is that your camera can record much more detail in the brighter parts of your image than the darker parts. Therefore to get the best image quality from your camera you need to slightly over-expose your images or “shoot to the right” in order to fully take advantage of your sensors capabilities.

The tricky part here is not to over-expose too much so as to “blow out” your highlights, because if you go too far you will lose all the detail in those blown out areas. How do you know how much to over-expose? This is where your camera histogram comes in handy. Your cameras histogram simply displays to you how much information has been recorded at each light level, from dark (left) to light (right). A normally exposed image will have a histogram that shows most of the information bunched up in the middle.

Exposing to the right means just that, to expose your image such that the histogram shows the majority of the data bunched up on the right side of the histogram as opposed to right smack in the middle.

HOWEVER, you need to take care not to let that data “bump” up against the right edge, because that data will be lost; this is where those over exposed flashing alerts that are part of most cameras preview screens come in handy. Yes, sometimes you will want pure white, blown out areas in your image, and that is ok, just use your judgement here.


When you look at these RAW files (this will only work when shooting RAW ) in your favorite image processing software, the images will most likely appear a bit over exposed, but that is ok, as you can easily adjust the exposure to make the image look “right”.

The Other Side of 60


My talented brother, Bob, wrote a cool song about being over 60. Here's the YouTube link.

Below are the words. Thanks, Bob.

Rick

P.S. Yes, there is a reason why this post is running. Today. :-)

The Other Side of 60
© 2008 Bob Sammon, All Rights Reserved

From the other side of 60
20 don't look too bad
Thinking back to younger days
and all the friends we had.
Singing, playing, loving,
Testing our new wings.
Taking reckless chances
on damn near anything.
From the other side of 60
30 looked like it should.
That's when I met her
and life ahead looked good.
Sure, there were some changes.
Things settled down too much.
But kids and work were all we had
and slowly we lost touch.

         And you never see it coming
         No matter how you try
         To gaze into the future
         And let imagination fly
         There's always something coming
         You can't anticipate.
         So take a breath and hold it in
         And learn to laugh at fate.

From the other side of 60
40 was much the same.
Days turned into endless days.
But no one could be blamed.
But when she got real restless
She just got up and left.
The kids and me just sat there,
Stunned and left adrift.

         [Chorus]

From the other side of 60
Fifty was a blur.
Kids had grown, gone on their own
And I never heard from her.
Some things sure looked different
And some are much the same.
But somewhere deep down in my soul
was that ever burning flame.

         [Chorus]

Now from this side of 60
Things are looking good again.
Everything that we went through
has scattered with the wind.
There's music, friends and family
to fill up each new day.
And every step, each gain and loss
Is a price I gladly paid.

         [Chorus]

Part III: Chasing the Light with Light in Alaska


All photographs © Rick Sammon

This is the third in a series of posts I am writing aboard the Northern Song, the boat the Light Photographic Institute is using for its first Alaska photo workshop of 2011. I'm co-leading the workshop with fellow Canon shooter Hal "Bull" Schmitt, the lead instructor and director of Light - which also produces the California Photo Fest – the must-attend photo event of the year. 

Each day, we chased the light, as photographers do every day - and night.

(I hope to see you on one of my workshops - perhaps in Alaska in 2012. Shoot me an email to get on my workshop list.) 

Because there is no internet on the boat, I'll actually be posting when I get back on land - so each Alaska post you read was actually written about a week ago.

I'll be including some of these photographs (with composition tips) in my next Kelby Training class: Composition - the Strongest Way of Seeing, which is scheduled for release later this year. For info on all my Kelby Training classes, click here.

 

Today's tip:

Never underestimate the importance of cropping.

Yes, there is something to be said for negative space, but when you want to emphasize the subject, follow this tip: The name of the game is to fill the frame.

I photographed these Dall's porpoises (the cheetah of the ocean – the fastest marine mammal in the world) while leaning over the bow of the boat. I used a polarizing filter to reduce the glare on the water. 


These animals are graceful and beautiful. If you need a reason as to why we should protect these animals and the marine environment, click here and scroll down.

Dall's porpoise (Phocoenoides dalli) is a species of porpoise found on the North Pacific. It came to worldwide attention in the 1970s when it was disclosed for the first time to the public that salmon fishing trawls were killing thousands of Dall's porpoise and other cetaceans each year by accidentally capturing them in their nets. The Dall's porpoise is the only member of the Phocoenoides genus. It was named after American naturalist W. H. Dall.


By the way, the animals in the photographs are relatively clear because the water was relatively flat.


Camera Info:

Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD and 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens

Canon EF 24-105mm f/4 L IS USM Lens for Canon EOS SLR Cameras 

For more photo tips, see my iPad and iPhone app: Rick Sammon's 24/7 Photo Buffett.

I hope to see you on one of my workshops - perhaps in Alaska in 2012 and at the 2011 California Photo Fest.

Explore the Light,
Rick 

Part II: Chasing the Light with Light in Alaska


All photographs © Rick Sammon

This is the first in a series of posts I am writing aboard the Northern Song, the boat the Light Photographic Institute is using for its first Alaska photo workshop of 2011. I'm co-leading the workshop with fellow Canon shooter Hal "Bull" Schmitt, the lead instructor and director of Light - which also produces the California Photo Fest – the must-attend photo event of the year. 

Each day, we chased the light, as photographers do every day - and night.

(I hope to see you on one of my workshops - perhaps in Alaska in 2012. Shoot me an email to get on my workshop list.) 

Because there is no internet on the boat, I'll actually be posting when I get back on land - so each Alaska post you read was actually written about a week ago.

I'll be including some of these photographs (with composition tips) in my next Kelby Training class: Composition - the Strongest Way of Seeing, which is scheduled for release later this year. For info on all my Kelby Training classes, click here.

Today's tip: Tell the whole story.

When traveling, try to "tell the whole story." Envision a slide show or photo gallery that gives the viewer an overview of your trip. Use different lenses - wide-angle, telephoto and macro – to help you tell your story.

Here are photographs I used to help me tell the story of two visits to two glaciers. All photos: Canon 5D Mark II.

Canon 15mm fish-eye lens - opening image.



Canon 15mm fish-eye lens.

Canon 70-200mm f/4 lens.

 Canon 70-200mm f/4 lens. 

 Canon 17-40mm lens.

 Canon 17-40mm lens.


Canon 17-40mm lens.

Canon 15mm lens.

Canon 15mm lens.
 
For more photo tips, see my iPad and iPhone app: Rick Sammon's 24/7 Photo Buffett.


I hope to see you on one of my workshops - perhaps in Alaska in 2012 and at the 2011 California Photo Fest.

For all my workshops, click the tabs at the top of this page.

Rick