Guest Blogger: Keith Ibsen



The advent of digital photography seemed to spur a growth and need for photo workshops and seminars. Currently, many tops pros and manufacturers have ongoing workshops and seminars throughout the US and overseas. Subjects cover the full range of digital photography from pre- to post-production, portrait to landscape, black and white to color, macro to wide angle, natural to constant light and strobes. If it’s photographed, there’s a good chance someone is offering a workshop or seminar about it.


What is the difference between a workshop and a seminar and which is better to attend? For the most part, workshops involve hands-on training, whereas the seminar explains and demonstrates through a series of lectures and PowerPoint presentations. For certain subject matters or class size, the seminar is preferred over a workshop. There is nothing like hands-on learning, when possible, for retaining knowledge. The student hears, sees and does. This final step in the learning process blends all the theory into a final result the student has an opportunity to reproduce. 

The Workshop

Workshops are held in the great outdoors, exotic trips or in the confines of a studio or lecture center. Times range from a few hours to a week or more. The more time involved, the more one learns, and the more it costs. Prices range from free to several thousand dollars.  Everything is relative.


Photograph of model Laurence  Yang by Keith Ibsen
Live Model Workshops

A workshop is not designed to be one attendee’s private shooting session, especially when the venue involves working with live models. Time and again, I’ve seen photographers taking the attitude and acting as if this were their opportunity to shoot a complete portfolio of images, and other photographers are there to watch them in action. This may be a bitter pill to swallow, but it’s a workshop and photographers have to share the shooting time and space with others. Otherwise, it would be called a private session – and cost one photographer considerably more money.

At times, the workshop may seem overcrowded and understaffed. This can happen without the presenter’s knowledge, when he’s contracted to teach by another party.

Other times, the presenter is equipped and staffed for a certain amount of time and money, then at the last minute, twice the number of people show up. If this were a seminar, more chairs would be added and the seminar would continue.  It’s not that easy when training is interactive. There’s a limited amount of equipment and models available.  Unlike a chair, one cannot just unfold and add it.

Often, this is not the case, and class size is usually limited to allow ample shooting time for all in attendance. The majority will leave with several excellent images, along with knowledge of how to create these techniques again.


Photograph of model Laurence  Yang by Keith Ibsen
Workshops sponsored by manufacturers afford participants opportunities to try equipment they may anticipate purchasing.  A prime example would be the FJ Westcott lighting presentations given by their technical advisor, Dave Piazza. One not only gets a great education on lighting but also an opportunity to try some professional lighting equipment and come away with some portfolio images.

Professional Photographer Workshops and Seminars

Seminars presented by renowned photographers offer attendees the benefit of learning from those who confronted and overcame obstacles in running a photography business. They not only teach the importance of lighting, F stops and composition, but also how to be successful in a competitive and ever-changing industry. They teach how to become a businessperson, who takes photos, not a photographer who is in business. I consider this style workshop or seminar just as important, if not more so, than those on photo techniques. One may be the best photographer around, but unless the individual knows how to market, promote and bill for time, that person is bound to fail.

Photograph by Rick Sammon
Professional photographers, like Rick Sammon, will feature workshops that combine travel to exotic locations. One will learn from this “Canon Explorer of Light" photographer how to work in remote locations with limited equipment to produce spectacular results. These getaways usually last a week or more and are limited in size insuring everyone receives personal attention. Rick and many others can also be found teaching at venues and trade shows throughout the US. While Rick specializes in not specializing, one can find others, such as Lindsay Alder, who works primarily in fashion and portrait photography. 

The Workshop, Seminar and Professional Camera Stores

Another popular source for workshops and seminars are professional photo retailers, like B&H, Adorama and Calumet in Manhattan. On Long Island, Berger Bros. also offers courses on a broad range of photographic subjects.  Prices range from free at some retailers to $125 and up at other locations. Please refer to their websites for complete details. Don’t merely take a course because it’s free. Laying out money to improve photo images or business knowledge is well worth the investment. Decisions must be made depending on the value of the information one receives not the priced paid.

The NAPP  (National Association of Photoshop Professionals) Seminars

Whenever possible, I always try to attend seminars presented by NAPP. If one needs a better understanding or is a beginner at learning Photoshop or Lightroom, these are the people from whom to learn. Scott Kelby and his staff are the brightest minds in photography education today. Their step-by-step methods of training allow a hands-on approach to understanding Adobe’s complex software.  Recently, they channeled this approach to photography and the equipment and knowledge required to produce a wide range of images.

Other Photography Associations also hold Workshops and Seminars through out the US.
PPA (Professional Photographers of America), NANPA (North American Nature Photography Association), WPPI (Wedding and Portrait Photographers International) to name a few.
Local Camera Clubs are another excellent source for workshops and seminars. Some membersare every knowledgeable and often conduct workshops and seminars for other club members, or the club may contact and bring in an outside professional.

Check on line, for the photo field your interested in or on just general photography. You’ll discover there is training on all aspects of photography itself or the business side of the industy.

In conclusion, look for the program that best fills current your needs and if your not certain check out the presenter on line before committing. Be considerate, as I mentioned some of these programs are free of charge, but limited in size. If for some reason you cannot attend, contact the sponsor and cancel your reservation. Keep in mind these are not private sessions and you’ll have to share your shooting time with others. Follow a few simple rules and you will find these workshops or seminars to informative and productive.



Have Some App Fun This Weekend!

Rick Sammon's 24/7 Photo Buffet

My flagship comprehensive how-to app: Rick Sammon's 24/7 Photo Buffet - iPhone and iPad. It's basically an interactive, how-to e-book that you can keep with you 24/7.

24/7 features more than 100 tips, lots on flash photography and lighting.
This app features my best tips for making pictures . . . indoors, outdoors, in bright light and in low light, with a flash and with a diffuser and reflector.

24/7 includes tips on creating . . . creative Speedlite photographs.
 People, wildlife, landscape, city scape photography are covered.

Rick Sammon's iHDR  
My newest how-to app for the iPad is now available: Rick Sammon's iHDR.

This app (formerly called Rick Sammon's HDR Portfolio) is packed with HDR photos (my latest from around the world), info and movies. It's a great way to learn and experience HDR.

The app has the same great content as HDR Portfolio, but with an added Favorites section. So, if you already have the app, you don't need to download this version.

It's called iHDR because the app is all about how you can create cool HDR images using your imagination – combined with HDR photography innovations.

Click here to download and to start the HDR fun.


Rick Sammon's Underwater Wonders


Calling all moms and dads, aunts and uncles, brothers and sisters - and friends and neighbors who have or know youngsters. Underwater Wonders, my first iPad app for kids (as well as scuba divers), is now available.

Underwater Wonders is not a photography how-to app/app book, like most of my other apps. Rather, it's an app/app book that falls into the Nature, Wildlife and Marine Conservation categories.

Here is a nice review of the app.

I took most of the photographs in the app while I was president and chief underwater photographer (1980 to 1995) of the marine conservation organization CEDAM International, an organization dedicated to Conservation, Education, Diving and Marine-research.

Underwater Wonders
, designed for kids and for adults who are kids are heart, features underwater photographs of my favorite marine animals. The photographs are accompanied by fascinating and fun fish facts, as well as some of my personal anecdotes.

 Rick Sammon's Light It!

Light It! and Light It Light!: My basic lighting apps – iPhone and iPad.

Click here to see the into movie to Light It! 

Cool new feature: You Light It! Photo Club. This club showcases your best photographs, along with the photographs of other talented photographers, based on the tips from this app. Simply click here to join the fun . .  and to enter the monthly photo contest. The prize for the contest:  1/2 hour portfolio review with yours truly via Skype or iChat. 


Butterfly Wonders

 Butterfly Wonders: Beautiful butterflies and section on close-up photography –  iPad only. Cool section on how-to take close-up pictures!



 Life Lessons We Can Learn From Mother Nature

 Life Lessons We Can Learn From Mother Nature: My favorite images with inspirational quotes – iPadonly.


 Skip Marini Golf Lessons

In Skip Marini Golf Lessons, I become the student – learning the best golf tips from the best pro in Westchester, NY – iPad and iPhone.

Friday's Fab Photographer: Douglas Knisely


Today's Friday's Fab Photographer is: Douglas Knisely.

Take it away, Doug.

I was delighted and honored when Rick offered to feature me on his blog.  While assembling a new portfolio on 500px.com recently, I was thinking a lot about images that had a huge emotional impact on me when I first saw the subject, light, and composition -- scenes that literally made my knees shake and my heart race from the adrenaline rush to execute quickly and proficiently in order to capture the moment before it vanished.  Fortunately, I usually fall into a zone and operate almost on auto-pilot, making fewer mistakes than when I shoot deliberately. What a rush!

Nothing could exemplify that emotional rush better than this scene of a man in the window of a market district neighborhood in one of the few remaining old neighborhoods in Shanghai.  Interestingly, the man seemed to be fully aware that I was shooting and had probably been watching us conspicuous boisterous Americans coming down the street.  Yet he remained with me as I recorded several images.  This is the composition that I saw, and with a little perspective adjustment and a lot of careful work to deal with the extremely dynamic range, it worked out to my delight.




While taking a morning stroll near a Cancun beach, I came upon a model shoot.  Having taken only a Canon G9 P&S along on that trip, my knee-shaking near-panic attack was caused because getting in range quickly enough without arousing attention to catch that amazing scene and nail the details was going to be daunting.  As when shooting with camera phones, another current passion, I have always been a huge believer in going for the image no matter what gear is at hand, even if it means looking like a doofus.  I ended up with several favorite keepers from that trip, two of which I have printed large on canvas!


Ahhh, those glorious S-curves, with graffiti and fascinating lighting as a bonus!  There wasn't a bit of doubt about the desired composition, nor the nature of the HDR that it would take to execute, but how to get contorted over a fence on tripod for the long HDR series while dodging the trams that periodically emerged from the left side of this tunnel?  Adrenaline came to the rescue once more, although the tram drivers' adrenaline was probably also running high as I swung back out of the way each time!


Even though these scenes are vanishing at an alarming rate in modern urban China, they are still plentiful.  But finding the right light, subject, simplicity, composition, and moment still requires a convergence of a lot of variables.  There wasn't any doubt about this moment when the light, the steam waft, and the subject converged, and it was gone in an instant.  Waiting around and even going back two other days failed to produced anything that worked anywhere nearly as well as this, despite my attempt to will it into existence so many times before and since.


In some spare time after a meeting, I was wandering around with a new 8mm fisheye lens on a crop-factor camera -- far from my usual kit.  I nearly lost it when I spotted these aligned outriggers from across the street by those trees and just knew this image had to be in there somewhere.  Right light; right lens; right subject.  That's a rush!

Clearly I'm addicted to the rush of finding these magic moments, and for me, that's what photography is all about.  Sometimes it can feel discouraging, like it will never happen again, but searching for images for this post and finding far too many candidates reminded me that the magic will come if you just keep an open eye and keep shooting.

Thanks, Rick, for all the encouragement and comments.

Twitter @dknisely

Thursday's Travelogue: Mt. Rainier National Park

Photograph by Rick Sammon
This is part of a series I run here on my blog: Thursday's Travelogue. This week: Mt. Rainier National Park.

Juan Pons and I are running a photo tour/workshop to the park next month. We have one spot open. Click here for info:

Photo tips:
• Bring wide-angle, telephoto and macro lenses.
• Pack a polarizing filter.
• Be prepared to shoot HDR. For discounts on HDR plug-ins, click here.
• Shoot a series of images for panos. Great pano opportunities.
• Tote a tripod.
• As simple as it sounds, shoot horizontal and vertical photos of the same scene. Frame for a cover.
• Work with reflections.
• Pre prepared to photograph small waterfalls - pack an ND filter.
• Also pack a split ND filter for landscapes.
• Always look up, back and up - for added photo opportunities.
• Get to the park before dawn to capture the beautiful dawn light.
• Stay until after sunset, when you capture the afterglow of sunset.
• Remove all filters when shooting into the sun.
• Explore the area surrounding the park. You'll find other great photos opportunities. See image below.
• Bring a flashlight for early morning shoots. Head mounted flashlights are best for photographers.

Head-mounted flashlights:
Streamlight 61407 Enduro Head-Mounted Flashlight with Visor Clip and Elastic Strap, Blaze Camo
and
SpareHand Head Shot Flashlight with Head Band

Photograph by Rick Sammon
Travel tips:
• No gas in the park. Gas up!
• Pack a map for your park visit.
• If you will be leading a photo tour, you'll need a permit.
• Not too many hotels/motels near the park. Do a search on-line and book early.
• You can camp in the park, but you need a permit.
• You'll probably be coming from Seattle. Keep your camera handy. It's a beautiful drive.
• Dress in layers and bring gloves. It's cool in the morning but it warms up - at least in September when we are going :-)
• Hiking boots are a must.
• Plan your shoots in advance - so you are on site in plenty of time to catch the light.
• Check out the Mt. Rainier National Park site for detailed info about the park.


Photograph by Rick Sammon. We may eat or shoot HDR here. It's a possibility.
Explore the light,
Rick

P.S. Here are two bonus tips by Juan:

Photograph by Juan Pons
Get closer. Sometimes getting closer than you originally intended can create a completely different but very interesting and engaging image. While at Mt. Rainier National Park I noticed these awesome looking plants that reminded me of the "Truffula Trees" from the famous Dr. Seus story "The Lorax". I was looking for a way to capture both the detail as well as number of these you would encounter in the fields. So in order to do that I used my widest lens the 10-22 mm Canon zoom lens set at the 10mm and got in VERY close to one of the Western Pasqueflower seedpod while carefully framing my background to include items of interest. The front of my lens was probably about 4-5 inches away from the seedpod on the left, and I was lying down on the ground on my side. A little uncomfortable, yes, but this allowed me to capture the exquisite detail of this seedpod while also including the environment.

Photograph by Juan Pons
Think outside of the box. We've all heard the saying "Dead Center is Deadly," and for the most part that is correct. But sometimes rules are meant to be broken. In this case I placed Mt. Rainier dead center mostly because I thought it was such as strong element that it deserved to be dead center. However I made sure to balance the image by having other strong elements in my image to keep the viewer interested. It is important to know your basic compositional rules, but don't be a slave to them break them form time to time to add more impact and interest to your images.


Rick and I look forward to the workshop. We may even recored a segment for our Digital Photo Experience podcast. 

Changing Lanes: Bob DeLellis

Photograph © Bob DeLellis
From time to time I'll run a feature here on my blog: Changing Lanes. It's about folks who have "changed lanes" in their life . . . as many of us do at one point or another.

The basic concept is to inspire those who have changed lanes to keep on changing when times get tough. Been there, done that. The other idea is to inspire those who want to change lanes to drive toward that goal.

This week I am proud to feature Bob DeLellis, a student who attended my recent Brooks Institute seminar.

Photograph © Bob DeLellis

Here is part of Bob's changing lanes story: I moved to CA in 1980 to be a "rich and famous rockstar" and in 1981 played in RATT opening for Motley Crue on the Hollywood Strip. It's been a long story to get here, but kind of interesting to go from musician, to CPA, to CPA for musicians, to playing guitar for my musician client, and now to photography.    

As the Buddhist say: Change is Good.
Bob: Before and after "changing lanes."
Here is a link some of Bob's work. And here is a link to his facebook page.




Thank you Bob for sharing your story - of success. We gotta jam someday!

If any reader has a "Changing Lanes" story, shoot me an email.

Explore the light,
Rick

P.S. I changed lanes, too.... from being a musician at Woodstock (although I still play every day) to being the editor of a photo magazine to being in advertising/PR to being photographer. 


Me: fro, white shirt sitting on hood. Yikes! My poor mother back in 1969.