An Interesting Encounter in Sitka, Alaska


Get this: While Hal "Bull" Schmitt and I were giving our Alaska workshop welcome briefing in the lobby of the Totem Square Inn in Sitka, Alaska, a guy comes up to me and asks, "Are you Rick Sammon?"

The guy, Keith Fredrickson, a local photographer, recognized my voice from the DPE Podcast.


What's even more interesting is that we had seen Keith cool panos on the walls of the hotel and in the hotel's restaurant. We marveled at the image quality and composition.


So, in the DPE podcast tradition, I recorded an interview with Keith - and Hal joined in the podcast fun. My interview with Keith will run on our podcast soon.


I want other photographers to see Keith's wonderful panos taken in and around Sitka, so a few are published here.

Here is Keith's contact info:

Keith Fredrickson
Sitka, Alaska
907-738-3389cell
I hope to meet up with Keith on a future trip to Alaska. Give him a shout if you are in Sitka. He may take you on a sunset cruise on his small boat and show you some cool spots. That's that he did for Hal and me. Below is one of my images from that cruise. Thank you, again, Keith.


Explore the light,
Rick





How Come I'm Not Getting The Shots?

© Rick Sammon
I teach a lot of workshops throughout the year. Every so often a workshop participant asks: "How come I'm not getting the shots that the other photographers are getting?"

© Rick Sammon
I've seen this happen on all different types of workshops - wildlife, people, landscape and so on. I've heard this from my fellow workshops instructors, too.

© Rick Sammon
The answer, sometimes, is equipment. In some situations, a certain lens, say a 400mm or a 15mm, is indeed needed.

In other situations, it's luck.

Of course, sometimes the photographer is a novice and has not yet acquired the skills to get specific shots.

Sometimes, and this is the point of this post, it's the photographer's responsibility.

To help all workshop participants, here's my list of "A Workshop Participant's Responsibilities." 

Know your camera - especially when it comes to fine-tuning the exposure with the +/- exposure compensation control - or dialing in the correct exposure manually. After all, for every photographer, there is only one correct exposure.

Stick like glue to the instructor.

Ask to see the instructor's photographs, and the photographs of the other workshop participants.

Know that the instructor is not a "mind reader" when it comes to your needs.

Show the instructor, and the other participants, your pictures as often as possible on your camera's LCD panel.

Be part of the "team" - and join in the fun, as well as the work.

Ask questions.

Do your homework before leaving home on the location, subject and the equipment that's needed.

Sit with the instructor during Photoshop and Lightroom sessions and see how your shots can be improved.

Set goals, and maybe even a specific goal.

• • • • • 

So my friends, speak up, join in, ask questions, know your camera, do your homework, don't assume anything, set goals, stick like glue . . . and you'll get the most out of a photo workshop. The more you put in, the more you'll get out.

Explore the light,
Rick

P.S. One example of "putting in = getting out."


On my recent Light Photographic Workshop in Alaska with Hal "Bull" Schmittt, workshop participant Linda Cullivan set many goals, one of which was to learn how to create a montage in Photoshop. We sat together for hours aboard the Norther Song (middle photo). She worked hard . . . and got it! Above is her first Photoshop montage, which Linda created during the workshop. Nice work, Linda - who also stuck like glue to the instructors.

Scroll down to my posts from this awesome Alaska workshop.

Orb or Softbox? That is the Question


Soft boxes offer directional light. © Rick Sammon

I'm taking the weekend off from posting. Just finished five days of posting Alaska photos and tips. Scroll sown.

This was my most popular posts, so I'm re-posting it for those speedlite shooters who might have missed it.

Catherine Hall. © Rick Sammon
Basically, softboxes with recessed diffusion panels offer more directional light than orbs. The two illustrations above illustrate directional light from a softbox.

© Jason Ludwig
Above is a picture of me (taken in Dave Cross' studio) using a 28-inch Westcott Apollo softbox to light the subject from above, which was the same technique I used when I photographed Catherine Hall at the Google studio. Speaking of me: You can hire me as a voice activated light stand :-)

Artist Eddi Flemming. © Rick Sammon
Orbs with recessed diffusion panels produce a wider and softer beam of light than softboxes. They are nice to use when you want to light a wider area with softer shadows. I used my Westcott Orb for the photograph above. Orbs also wrap the light around a subject for softer light.


Umbrellas? I don't use them too often, but they are nice for large groups.

For more lighting tips, see my apps.

Explore the light,
Rick

5 Days of 5D Mark III Shots: Day 5


Today's the last day of posts in this series. Thank you all for following along. I hope you have enjoyed the photographs and the tips.

If you are new to the series, scroll down for previous posts.


Luck. That's the topic of topic today's post. I was super lucky to get these two shots, taken seconds apart on the second day of my Alaska workshop with Hal "Bull" Schmitt. Yes, I was ready to shoot, but luck did play a big role in these photographs.

A few quick photography tips here:
- When photographing two or more animals, try to get some separation between the animals.
- The background can make or break the shot. The relatively plain background in these photographs helps the eagles to stand out.
- The eyes have it. If the eyes are not well lit and in sharp focus, you've missed the shot.
- Know your subject.

I can't decide which photograph I like the best. If you have a preference, I'd like to hear why in the Comments here on my blog.

Gear:
Canon 5D Mark III
Canon 70-200mm f/4 lens 

Hal "Bull" Schmitt and I hope you can join us in Alaska in 2013. I will pick the dates for my workshop will Bull soon.


Speaking of saying thank you, check out The Thank You Economy. It's a good - and important - read.

And speaking of books, below are my two favorite - and best-selling - books.


In face to face I share my favorite people photographs and people photography tips.


In Exploring the Light I talk about how to get the best possible in-camera exposure.

Thank you again,
Rick

Dates Set For My January 2013 Florida Photo Caravan

St. John's Pier, St. Augustine, Florida - in HDR. See the heart?
Join the fun on my third annual Florida Photo Caravan. It's a traveling, photographic educational experience starting in historic St. Augustine and ending in Miami’s exciting South Beach. On the road, we stop, and shoot, in Merritt Island and Delray Beach.

Dates: January 18 - 24, 2013 (full but you can get on the waiting list). 


Possible send caravan: If there is enough interest, we'll do the caravan in reverse, starting in Miami on January 30th and ending in St. Augustine. Shoot me an email to get on the list

This digital photography workshop will be action-packed with photo opportunities, digital darkroom info, and, of course, fun! With such a small group, you’ll have a great opportunity to learn through personal attention.

Here’s how it works: You drive. You book your own hotel rooms (we will recommend the group hotel). You pay for your own meals. We provide photographic instruction and guidance. And, we arrange shooting locations, meeting times, conference rooms, restaurants, etc.

Old Town in St. Augustine is a cool Town.
You'll need HDR Efex or Photomatix for HDR. Discounts here. You can also order Topaz adjust on that page, which will add to your photo creativity.

Workshop fee: $850.00

We are limiting this Photo Caravan to 10 participants for personalized attention. Spaces go fast!

For information and an application: e-mail susansammon@me.com; or call 914-271-6132.

Tentative Schedule – Subject to Change
 
Friday, January 18
PM Arrive in St. Augustine
Details to come.

We shoot before dawn - so you snooze you lose!
Saturday, January 19
AM
- Shoot in St. Augustine: Sunrise shoot - Horses running on the beach
- Old Town Shoot
PM
- Download/Photoshop, etc.
- Group lunch and dinner if you want to join the fun.

Before and after HDR.
Sunday, January 20
AM
- Second Sunrise shoot in St. Augustine. St. John's Pier
- On-location lighting – flash, reflectors, diffusers
- Check out and drive to Merritt Island (Fairfield Inn andSuites, Titusville, FL)

Bring your tripod and telephoto lens.
PM
- Afternoon shoot at Merritt Island.
- Group lunch and dinner if you want to join the fun

Bring your tripod and wide-angle lens.
Monday, January 21
 AM
- Sunrise shoot in Merritt Island
- Bird photography
PM
- Drive to Delray - meet for street photography walk.

HDR Rocks in the Colony Hotel in Delray.
Tuesday, January 22
AM
- HDR Shoot in Delray
PM
- Model Shoot
- Download/Photoshop, etc.
- Group lunch and dinner if you want to join the fun

We'll have models, too.
Wednesday, January 23
AM
- Check out and drive to South Beach  
- Art Deco Hotel Shoot
- Street Shoot
- Night Shoot

You'll love the art deco lifeguard stands.
Thursday, January 24
AM
- Sunrise Shoot in South Beach
- Model Shoot
- Download/Photoshop, etc.
PM
- Final Download
- Group Slide Show
- Farewell Dinner

Workshop Ends. But . . . you can stay over for:

Below are some of my favorite photographs from South Beach.